
Blue Five, 2022/2026
Acrylic on linen
70 x 225 inches
IFalls, 2025
Acrylic on linen
36 x 126 inches
Lowlands, 2026
Acrylic on panel
72 x 150 inches
Jive, 2025
Acrylic on linen
54 x 45 inches
Rayo X, 2026
Acrylic on linen
60 x 70 inches
Duet, 2025
Acrylic on linen
30 x 48 inches
Alongside II, 2024
Acrylic on canvas
30 x 48 inches
Night Painting, I Falls, 2024
Acrylic on linen
16 1/2 x 47 inches
Left Then Right, 2026
Acrylic on linen
24 x 36 inches
Rella, 2026
Acrylic on linen
60 x 70 inches
One Way or Another, 2024
Acrylic on wood
24 x 60 inches
Do-Si-Do 1, 2025
Acrylic on linen
54 x 45 inches
Do-Si-Do 2, 2025
Acrylic on linen
54 x 45 inches
Red Bey, 2025
Acrylic on linen
54 x 45 inches
A-One, 2025
Acrylic on linen
30 x 24 inches
Hoku, 2026
Acrylic on linen
30 x 40 inches
Barbara Takenaga
Space | 42
The Neuberger Museum of Art produced a commissioned public project for SPACE | 42—Barbara Takenaga: Outburst, a large-scale mural based on one of the artist’s exuberant abstract paintings translated into an immersive digital print. According to Takenaga, her work “depicts possibilities that are both abstract and narrative.” These include, “imagined landscapes, microscopic views, stylized architecture, mathematical diagrams, and ‘spacescapes.’” In Takenaga’s work, there is often a sense of waiting, anticipation, or dread, as big shapes loom on the horizon, float overhead, fold or explode. Throughout, natural phenomena are often used as metaphors for the comic, cosmic, or catastrophic.
Barbara Takenaga
Space | 42
The Neuberger Museum of Art produced a commissioned public project for SPACE | 42—Barbara Takenaga: Outburst, a large-scale mural based on one of the artist’s exuberant abstract paintings translated into an immersive digital print. According to Takenaga, her work “depicts possibilities that are both abstract and narrative.” These include, “imagined landscapes, microscopic views, stylized architecture, mathematical diagrams, and ‘spacescapes.’” In Takenaga’s work, there is often a sense of waiting, anticipation, or dread, as big shapes loom on the horizon, float overhead, fold or explode. Throughout, natural phenomena are often used as metaphors for the comic, cosmic, or catastrophic.
Barbara Takenaga
Nebraska
Barbara Takenaga has created a new work of an unprecedented scale for a 100 foot wall in the Hunter Center lobby at MASS MoCA. The mural features a new image from her series, Nebraska Paintings, a body of work that moves closer to the representational imagery only implied in earlier pieces, but which captures the wide open spaces and big sky of the artist’s native state. On view beginning July 12, 2015.
Barbara Takenaga
Nebraska
Barbara Takenaga has created a new work of an unprecedented scale for a 100 foot wall in the Hunter Center lobby at MASS MoCA. The mural features a new image from her series, Nebraska Paintings, a body of work that moves closer to the representational imagery only implied in earlier pieces, but which captures the wide open spaces and big sky of the artist’s native state. On view beginning July 12, 2015.
Barbara Takenaga arranges the simple components of her dense, abstract paintings into stunningly detailed compositions that undulate, radiate, and recede in seemingly infinite space. Her dazzling repetition of forms suggests the inherent yet sometimes incomprehensible logic of both the cosmic and the cellular, while spontaneous twists and puckers preserve the elements of wonder and surprise. Crisp, saturated color defines each discrete element in the tightly woven, tessellated work.
Barbara Takenaga lives and works in New York City. She was the Mary A. and William Wirt Warren Professor of Art at Williams College, a position she held from 1985 to 2018. Her work has been widely exhibited at institutions including MASS MoCA, North Adams, MA; Museum of Contemporary Art, Denver, CO; National Academy Museum, New York; Asian Arts Initiative, Philadelphia, PA; and International Print Center, New York.
Barbara Takenaga was awarded a John Simon Guggenheim Fellowship in the field of Fine Arts in 2020. Other recent awards include the Wauson Fellowship from the FOR-SITE Foundation and the Eric Isenburger Annual Art Award from the National Academy Museum. In 2020, she was commissioned by New York MTA Arts & Design to create a permanent installation of mosaic and laminated glass for the Metro-North Railroad White Plains Station. She also completed a 30-foot wall mosaic for the sunken garden at NYU Langone as part of their permanent art collection. In the fall of 2017, Williams College Museum of Art organized a twenty-year survey of Takenaga’s work, curated by Debra Bricker Balken, accompanied by a book published by Prestel.
Takenaga is represented in many permanent collections, including: The Ackland Art Museum, Chapel Hill, NC; The Crocker Art Museum, Sacramento, CA; The DeCordova Museum, Lincoln, MA; Federal Reserve Board, Washington, DC; Frederick R. Weisman Art Foundation, Los Angeles, CA; Henry Art Gallery, University of Washington, Seattle, WA; Hood Museum of Art, Dartmouth, NH; Kalamazoo Institute of Arts, Kalamazoo, MI; Museum of Nebraska Art, Kearny, NE; National Academy Museum, New York, NY; National Museum of Women in the Arts, Washington, DC; Neuberger Museum of Art, Purchase College, State University of New York, NY; New Jersey State Museum, Trenton, NJ; Pennsylvania Academy of the Fine Arts, Philadelphia, PA; The San Jose Art Museum, CA; Sheldon Museum of Art, University of Nebraska, Lincoln, NE; Smith College Museum of Art, Northampton, MA; Tang Teaching Museum at Skidmore College, Saratoga Springs, NY; Williams College Museum of Art, Williamstown, MA; and Yale University Art Gallery, New Haven, CT. She was born in North Platte, Nebraska.
For the complete biography, please download the PDF.
Organized by Hilma’s Ghost (Sharmistha Ray and Dannielle Tegeder)
Barbara Takenaga’s Forte (Quarropas) and Blue Rails (White Plains) were officially unveiled today at the MTA Metro North's White Plains Station. The mosaic and laminated glass artworks feature Takenaga's signature swirling and detailed abstract compositions. The undulating movement references rail travel, the history of the city, and its exuberant energy.
Over the coming weeks, we will be providing inside views into how our artists continue their practices to create new works of art, while sharing perspectives of their current, everyday lives. We are excited to welcome your thoughts about these features, as this initiative will bring together our friends, families and colleagues.
Artist Talk: Barbara Takenaga in Conversation with Elle Pérez
November 18 at 4:30pm EDT via Zoom
September 20th, 2018: Barbara Takenaga in Conversation with Helaine Posner, Chief Curator at the Neuberger Museum of Art
Outside the Frame: Karen Shepard, Jim Shepard and Barbara Takenaga
September 28, 2013 at DC Moore Gallery
