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Charles Burchfield Jaws of the World, 1920

Charles Burchfield
Jaws of the World, 1920
Watercolor, gouache, pencil, chalk, and charcoal on joined paper, mounted on board
30 3/8 x 30 inches

Charles Burchfield Lightning at Twilight, 1950-55

Charles Burchfield
Lightning at Twilight, 1950-55
Watercolor and charcoal on joined paper mounted on board
29 3/4 x 40 inches

Charles Burchfield November Railroad-Mood, 1946

Charles Burchfield
November Railroad-Mood, 1946
Watercolor, charcoal, and chalk on paper
28 x 41 3/4 inches

Charles Burchfield Wallpaper Design No. 4, 1922-28

Charles Burchfield
Wallpaper Design No. 4, 1922-28
Watercolor and gouache on paper
19 5/8 x 13 1/2 inches

Charles Burchfield Tree and Brook, c. 1917

Charles Burchfield
Tree and Brook, c. 1917
Watercolor and gouache on paper
26 1/2 x 19 1/8 inches

Charles Burchfield Spring Vacation, c. 1915

Charles Burchfield
Spring Vacation, c. 1915
Goache on paper
25 x 16 inches

Charles Burchfield Reflections of Trees, c. 1916

Charles Burchfield
Reflections of Trees, c. 1916
Watercolor on paper
12 3/4 x 21 inches

Charles Burchfield Tree and Pond, c. 1920

Charles Burchfield
Tree and Pond, c. 1920
Watercolor on paper
20 3/4 x 13 1/2 inches

Charles Burchfield Trees and Ravine, c. 1917

Charles Burchfield
Trees and Ravine, c. 1917
Watercolor and gouache on paper
18 x 12 1/4 inches

Charles Burchfield Wallpaper Design No. 3, 1922-28

Charles Burchfield
Wallpaper Design No. 3, 1922-28
Watercolor and gouache on paper
20 x 14 inches

Ralph Eugene Meatyard

Ralph Eugene Meatyard
Untitled, n.d.
Gelatin silver print
7 x 7 1/2 inches

Ralph Eugene Meatyard

Ralph Eugene Meatyard
Untitled, c. 1955
Gelatin silver print
9 5/8 x 7 5/8 inches

Ralph Eugene Meatyard

Ralph Eugene Meatyard
Untitled, c. 1964
Gelatin silver print
7 1/4 x 7 1/4 inches

Ralph Eugene Meatyard

Ralph Eugene Meatyard
Untitled, c. 1964
Gelatin silver print
7 1/4 x 7 1/4 inches

Ralph Eugene Meatyard

Ralph Eugene Meatyard
Zen #7, 1959
Gelatin silver print
5 13/16 x 7 1/4 inches

Ralph Eugene Meatyard

Ralph Eugene Meatyard
Untitled, 1960
Gelatin silver print
6 7/8 x 6 7/8 inches

Ralph Eugene Meatyard

Ralph Eugene Meatyard
Untitled, 1960
Gelatin silver print
7 x 8 1/2 inches

Ralph Eugene Meatyard

Ralph Eugene Meatyard
Untitled, c. 1968-72
Gelatin silver print
7 x 7 1/8 inches

Ralph Eugene Meatyard

Ralph Eugene Meatyard
#4 Motion-Sound, n.d.
Gelatin silver print
7 3/8 x 7 1/4 inches

Ralph Eugene Meatyard

Ralph Eugene Meatyard
Untitled, 1960
Gelatin silver print
6 3/8 x 6 3/4 inches

Carrie Moyer Triple Trills, 2018

Carrie Moyer
Triple Trills, 2018
Acrylic and glitter on canvas
66 x 90 inches

Carrie Moyer Cloud Buds, 2019

Carrie Moyer
Cloud Buds, 2019
Acrylic and glitter on canvas
66 x 60 inches

Claire Sherman Vines, 2018

Claire Sherman
Vines, 2018
Oil on canvas
84 x 66 inches

Press Release

Artists often point to issues and experiences that we have ignored.  It is not a normal art fair experience to confront the tangle, chaos and delight of nature, or to examine the contradictions of taking nature for granted in a natural world now threatened by global warming and climate devastation.  Art fairs by their very nature invite an unnatural world and an other-worldly experience.

The four artists in DC Moore Gallery’s Armory Show booth, Forgotten Nature, transcend the mundane and their powerful paintings and photographs tell a different story than one tied   to a particular place or pleasant memory. 

Charles Burchfield and Ralph Eugene Meatyard, both active in the mid-twentieth century, create a buzzing, humming aliveness in their works and in Burchfield’s case a reach towards the phantasmagorical, but both are also aware of the bleakness of destroyed environments.

Claire Sherman and Carrie Moyer defy the current critical dismissal of painters inspired by nature.  Sherman references the idealistic vision of the sublime and also incorporates the emptiness and foreboding of an unraveling environment, alluding to its current fragile and tumultuous state.  Carrie Moyer, known for her irreverent, cheeky abstractions that fuse Color Field, Pop Art and Feminist Art, grapples with elemental energies of nature that can both extinguish and rekindle.  Her new paintings overflow with primordial yet futuristic forces.  Both artists bring forth the sense of mystery and life that is “hiding in plain sight” and both work in a large scale to immerse the viewer with an insistence of subject matter.

Together the works of Charles Burchfield (1893-1967), Ralph Eugene Meatyard (1925-1972) and the contemporary painters Claire Sherman and Carrie Moyer surprise and engage viewers with a lush, rich and challenging environment.

DC Moore Gallery’s booth for The Armory Show runs concurrently with the gallery’s exhibit Claire Sherman: New Pangaea. On view through April 6th, the exhibition examines the idea of a new environmental order, beautiful yet ominous, that develops from the extremes of climate change.

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